Happy Easter and 2026 Winter Anime Review
Apr. 5th, 2026 10:53 pmHappy Easter if you celebrate!
The shoujo-tastic Winter season ended with three clear stand-outs (one josei, one shoujo, and one shonen), with the rest being good, but not great.
Trigun Stargaze - The first cour of this Trigun reboot was amazing, so it's disappointing that this second half falls a bit flat in comparison. Not even the much anticipated return of Milly helped, seeing as she and Meryl didn't get to do much. In hindsight, it really makes me question why they had Meryl traveling with Roberto in Stampede. There's really no reason why Meryl couldn't have taken on the Roberto role of being the more experienced journalist, showing newbie Milly the ropes. I also wasn't a fan of the show's seeming reluctance to kill off characters who died in the old series. I was devastated by ( spoiler for the first anime! ) death in the original anime just like everybody else (especially since they were my favorite character), but to give them what seems like a touching death scene only to basically say "Psych, just kidding!" a few seconds later was rather tone-deaf. I will say that the battle scenes were absolutely incredible, though, and the potential definitely was there. I just think it needed another cour to let the story properly breathe.
The shoujo-tastic Winter season ended with three clear stand-outs (one josei, one shoujo, and one shonen), with the rest being good, but not great.
Before you ask "What about Medalist?", considering how excited I was about the new season, well... For some unfathomable reason, Hulu decided to delay airing Medalist until after the Olympics were over. (Seems to me like having a figure skating anime airing while skating was in the spotlight would have been good advertisement, but what do I know...) That means the series is currently only halfway over in the U.S. Seeing as I would rather only pay for one month of Hulu anyway, I've decided just to wait until later so I can binge-watch the whole thing at once.
Now, onto the review!
Now, onto the review!
Journal With Witch - By far the best show of the season, and already a strong contender for the best show of the year! The characterization in this show is just incredible. Every character feels so real and multi-faceted, which makes the exploration of grief as Makio (the aunt) and Asa (the niece) deal with the sudden death of Asa's parents in a car accident that much more personal and far from stereotypical. I also really appreciated the unconventional relationship between Makio and Kasamachi. The two of them were previously a couple before the story began but broke up because Makio felt too stifled being in a romantic relationship. (Though it's not stated explicitly, I seem to recall hearing about an interview with the mangaka that confirmed Makio is meant to be seen as aromantic.) When she takes Asa in, she reaches out to him for help with some of the logistics, and in the process, they become close again. Kasamachi never stopped loving Makio, but while Makio is still very attracted to Kasamachi and cares for him a lot, she knows that she'll never have the same kind of romantic feelings for him as he does for her -- and Kasamachi decides he's okay with that, accepting Makio just as she is. The two then basically become one of the healthiest examples of "friends with benefits" I've even seen in fiction, which is pretty unique. My one complaint? Journal With Witch is such a dumb choice for the English title! While journaling does play a role in the story, I have no idea where they got "witch" part from. Witches are never even mentioned in the show to my recollection! The Japanese title is Ikoku Nikko, which seems to translate to something like "Diary of a Strange Land" according to Wikipedia. It's a bit metaphorical in nature, but at least I can kinda get the connection. Journal With Witch, on the other hand, just sounds super boring and makes no sense. I can't imagine someone browsing Crunchyroll and finding the title intriguing enough to click on without knowing anything else about the series, which is such a shame! (And even if they did, they'd probably be pretty confused why there are no witches to be seen in the show.)
Tamon's B-side - It's so wonderful to watch a shoujo series with an actual budget! Most of the shoujo offerings this season have been pretty limited when it comes to animation, but this one is gorgeous with tons of style and flair -- and befitting a series involving an idol group, the music is pretty fantastic as well. As for the actual content? First rate! This show is freaking hilarious, with fun, expressive characters. I especially loved the main character Utage, the ultimate fangirl who lands a job as a housekeeper for her favorite idol only to discover he's nothing like she expected. She's a hoot! Lately, cute girls suffering from severe social anxiety seem to be kind of a trend in manga/anime, so it's nice for a change to see a gender-flipped version of the trope in Tamon, who's a cool and sexy flirt when he's on stage as one of the members of F/ACE, a popular boy band, but becomes a gloomy, insecure bundle of nerves in real life, often running around in sweats and a paper bag over his head so people won't perceive him. The other members of F/ACE are similarly (and amusingly) very different from their stage personas, although it's a shame that we didn't get to see much of the fifth member who was just there. (I can't even remember his name off-hand...Rintaro! That's it.) I imagine the anime just hasn't gotten to the part of the manga where he presumably gets more focus -- which is all the more reason why we need a second season! (Or, I suppose, I could just check out the manga...which I might.)
Frieren: Beyond Journey's End - I was glad to see this cour of Frieren going back to mostly being the slice-of-life traveling show that so charmed me in the first place. Last cour's exam tournament was great, but Frieren really excels more when it comes to the smaller, more character-focused moments, rather than battles (although there were still a couple of good ones in this cour, too, as they travel the dangerous Northern Plateau). Loved seeing Stark and Fern go on their awkward first date, and I was really happy to hear Frieren admit she hopes that one day Sein will rejoin the group in the priest role. I've really missed him! I hope that means he may return sooner, rather than later. (Maybe in the next season, which has already been announced!)
Champignon Witch - Loved the fairy tale vibes of this show! The world-building was pretty interesting as well. I was kind of...eh about Lize's precocious crush on Luna, afraid that it might turn into an Usagi Drop manga situation (IYKYK), but Luna is really more of a mentor to Lize than a mother figure even if she is raising him, and since this isn't a romance manga, I don't think she'll ever reciprocate his feelings, so I guess it's okay. (She does blush sometimes around him, but I think you're supposed to interpret it as being because she's so starved for any kind of love and affection, rather than an indication of romantic feelings on her part. She's in love with somebody else anyway, even if they can't be together since her touch is literally poisonous.) Still, I don't think the crush was needed. Lize having strong maternal feelings toward Luna would have worked just as well. Love doesn't have to be romantic to be important or more special than other kinds of love!
Isekai Office Worker: The Other World's Books Depend on the Bean Counter - This series reminds me of another BL anime, The Night Beyond The Tricornered Window, in which I found the actual non-romantic plot far more interesting than the central romance. Unlike Tricornered Window's Mikado and Hiyakawa, Seiichirou and Aresh aren't completely devoid of chemistry, but that's admittedly a really low bar to clear. There's still not much to enjoy about their relationship, unless you're just really into controlling, possessive semes but feel kinda guilty about it, thus will happily go along with the conceit that it's okay for Aresh to act like that because he's technically saving Seiichirou's life. (That's not an exaggeration, btw. If left to his own devices, Seiichirou is such a workaholic that he literally will work himself to death. Not to mention the whole "have to have sex to protect his weak body from magicules" thing, which is the whole reason they got together in the first place. So romantic...) That's not my thing, though, so it doesn't work for me. That all being said, Seiichirou is really good at his job, and though accounting doesn't seem like it would be the most interesting profession to base a show around, I rather enjoyed watching him do his investigations and come up clever solutions to make the kingdom run more effectively without wasting a bunch of money. (If only he had been put in charge of DOGE instead of Musk...) While I do wish we got to see more of Yua, the teenage girl the kingdom was actually summoning when they got Seiichirou as a bonus, I also liked how the story touched on the fact that while being summoned to another world to be a hero seems cool in theory, it may not be as awesome as it appears at first.
Star Detective Precure - The last couple of Precure seasons have been pretty lackluster, but this one is getting off to a pretty strong start! I love the detective/mystery theme, along with the time travel angle of having Anna/Cure Answer falling into a time slip and ending up in 1999, where she meets Mikuru/Cure Mystique. Of course, being a kids' show, the mysteries are pretty simple and easy to solve, but still, it's a fun idea that also allows the villains to actually be interesting and more involved with their schemes. Speaking of which, it's rather intriguing that the third Precure, Cure Arcana Shadow, is currently working for the evil Phantom Thieves for some reason. Really looking forward to watching more of this!
In the Clear Moonlit Dusk - According to Anime News Network's "Worst of the Season" column, this was the worst series of the winter, to which I say... "Huh?" No, it's not going to win any awards for animation (although the artstyle itself is very pretty), and it's not anything special or memorable, but the show was literally fine (especially compared to the descriptions of the other shows on the list). I think the issue is that a lot of people came into the show expecting some sort of exploration of gender identity since the main character, Yoi, is a teenage girl with a bit of complex due to often being mistaken for a boy because of her (supposedly) masculine features (which you can't really see because of course she's drawn just like a pretty girl with short hair). Instead, they got a very typical shoujo romance about a cute girl who doesn't think she's attractive who nevertheless manages to land a super-hot boyfriend. Granted, I personally preferred the secondary love interest, Oji (although he has some issues, too), and it's not hard to see why some people might be put off by Ichimura, who never exactly crosses Yoi's boundaries (aside from his really bad habit of grabbing her by the wrist and pulling her away when he wants to talk instead of just asking to go somewhere more private) but definitely pushes them at times, but in terms of problematic shoujo boyfriends, he's a fairly mild example. I've come across a lot worst! In any case, I just want to see more shoujo animated period, so while this series may not be the greatest representation of the genre, I'm still happy it got an anime and enjoyed it for what it was.
Hana-Kimi - I've always wanted to check out the Hana-Kimi manga, but at 23 volumes, it was just a little too long to justify buying as a blind buy. (I did really enjoy Sugar Princess: Skating To Win, a short 2-volume figure skating series by the same mangaka, however. I always hoped that Hisaya Nakajo would come back to it one day since there was clearly more of the series planned, but with her death a couple of years ago, that obviously never happened.) So, when it was announced that Hana-Kimi was finally getting an anime adaptation nearly twenty years after the original manga ended, I was pretty excited to finally get the chance to check it out! Did it live up to my expectations? Eh... It's not bad, but I wouldn't call it great either. Just...okay? I have to say the choice to set the story in the modern day really had me rolling my eyes at some points, because some plots just aren't as believable nowadays when almost everyone carries around small computers in their pockets, particularly the whole entire premise of the story. Like I'm really supposed to believe Mizuki was able to enroll in a school halfway across the world (she's Japanese-American and grew up in the U.S.) without her family realizing that it was a boys' school? The idea would probably strain credibility even in the mid-90s, but didn't her parents do any research at all into the school before agreeing to let her attend? At the very least visit the school's website? (Vampire Dormitory from a couple of years ago has a very similar cross-dressing plot, but they took care of such questions by making the MC an orphan.) Also, I have to say I'm surprised her roommate (and love interest) Sano discovers that Miyuki is actually a girl very early on, like within the first few episodes. Considering how long a series the manga was, I thought for sure her sex would remain a secret for much longer. Of course, he doesn't tell her that he knows the truth because that would be too simple and logical... *rolls eyes* Seriously, I'm wondering how the manga managed to last for so long on such a flimsy premise! I've heard rumors that this is supposed to be a full adaptation of the manga, lasting for three cours (with the second cour just announced), so I guess I'll find out... At least the characters are fun.
Trigun Stargaze - The first cour of this Trigun reboot was amazing, so it's disappointing that this second half falls a bit flat in comparison. Not even the much anticipated return of Milly helped, seeing as she and Meryl didn't get to do much. In hindsight, it really makes me question why they had Meryl traveling with Roberto in Stampede. There's really no reason why Meryl couldn't have taken on the Roberto role of being the more experienced journalist, showing newbie Milly the ropes. I also wasn't a fan of the show's seeming reluctance to kill off characters who died in the old series. I was devastated by ( spoiler for the first anime! ) death in the original anime just like everybody else (especially since they were my favorite character), but to give them what seems like a touching death scene only to basically say "Psych, just kidding!" a few seconds later was rather tone-deaf. I will say that the battle scenes were absolutely incredible, though, and the potential definitely was there. I just think it needed another cour to let the story properly breathe.
Anyway, I'm Falling I Love With You - I wasn't all that impressed with the first cour of this series, but the second half was actually a lot better. I think it helped that most of this cour takes place when the main cast are adults, instead of during their high school years, meaning I didn't have to be constantly annoyed by how it didn't feel at all like they were going through the pandemic like I was during the first cour. Granted, I still wouldn't call this a great show by any means, but at least my favorite Airu got some nice spotlight. Really, the series would have been a lot more interesting if Airu was the main character, and we got more focus on him coming to terms with his sexuality and unrequited love for Kizuki. Instead, we mostly got a boring love quadrangle between Mizuho and her other three childhood friends, only for her to end up with the worst choice, ( Spoiler! )My Hero Academia: Vigilantes - You know, I don't think I've ever come across a series that has less interest in their main character than MHA: Vigilantes. The first cour ended up being more Knuckleduster's story, which considering his personal relationship to the main villain of the arc made some sense. He was also the most experienced of the main trio, so showing how he worked as a vigilante first was probably a good idea. Going into this cour, I thought maybe the focus would return more to Koichi (and to a lesser extent, Kazuho), but...nope. Instead we get an episode dedicated to Makoto's brother, the police detective who has been a fairly minor supporting character, then an extended three episode flashback about Aizawa/Eraser Head's days as a student. That's a quarter of the cour where the main character appears for, what, maybe five minutes total? (And I'm probably being generous.) Like, I really enjoyed Eraser Head's flashback in particular (minus Midnight's ridiculous original costume design -- if you can even call running around in nothing but a couple of strategically placed belts and an open coat a "costume") -- but it really seemed more like something that should have been an OAV. Later, we also get a half-episode devoted to Captain Celebrity's backstory about how he met his wife...and why do I feel like I know more about Captain Freaking Celebrity than I do about the main character of the show? Come on, give Koichi some development beyond the expanded powers he got this cour. Otherwise, good season, just a baffling lack of focus on the supposed main character.
To Your Eternity - Well, at least that character who I hated from last cour didn't show up too much in this cour (and when he did, he didn't do or say anything creepy, so I guess that's nice). The rest of it? It was good, but it was kinda hard to follow along at some points. I blame the fact that the show went on a couple of weeks of hiatus at probably the worst time because of the Olympics, so when it finally came back, I couldn't quite remember where it left off. Still, a satisfying ending overall; the series just never quite managed to get back to the brilliance of the first cour, unfortunately.
For next season, I believe the only series that is continuing into spring is Star Detective Precure, so of course I'll be watching that, along with new cours of Ascendance of a Bookworm, Welcome to Demon School, Iruma-kun!, and Rent-A-Girlfriend (please let this be the last cour!) There are a few more sequels I plan to watch eventually, but I'm not in any rush to get to them, so they'll go in the backlog. (You may ask why R-A-G is getting simulcast priority. ...I don't know? Morbid curiosity?) New series I plan to watch are Agents of the Four Seasons: Dance of Spring, Witch Hat Atelier, MARRIAGETOXIN, Akane-banashi (on YouTube for free!), and Go for It, Nakamura! There are a few more new titles I've got my eye on, but I'll see how they sound during ANN's Preview Guide before making any definite decisions. There are a couple of series from the winter season -- namely You and I Are Polar Opposites and The Invisible Man and His-Soon-To-Be-Wife -- I'd like to catch up on as well if I have room in the schedule.
(BTW, since I've mentioned the Olympics a few times, guess who's going to a Stars On Ice show at the end of May to see most of Team USA perform live? Me! I finally get to see Jason Brown skate in person (even if he actually didn't make the Olympic team this year) -- so excited!)
(BTW, since I've mentioned the Olympics a few times, guess who's going to a Stars On Ice show at the end of May to see most of Team USA perform live? Me! I finally get to see Jason Brown skate in person (even if he actually didn't make the Olympic team this year) -- so excited!)
